This week will be Lucien’s last appearance for a long while. Alas! And just when we all thought we’d get to see him with his shirt off. I’ll miss drawing him and his calm, well-meaning face. Good travels, sir. You’ve been a fine Virgil.
In real life departures: as we knew to expect, my grandfather died early this week. It was peaceful and merciful. Most of our last conversations together were about the comics business – he was an amateur cartoonist during his PR-man years. He said he wanted to pitch me for a “double-decker strip” for the Chicago Tribune. I told him I didn’t work on spec. He got a kick out of that.
Goodbye, old bomber pilot.
Oh! I have slipped the surly bonds of Earth
And danced the skies on laughter-silvered wings;
Sunward I’ve climbed, and joined the tumbling mirth
Of sun-split clouds, — and done a hundred things
You have not dreamed of — wheeled and soared and swung
High in the sunlit silence. Hov’ring there,
I’ve chased the shouting wind along, and flung
My eager craft through footless halls of air…
Up, up the long, delirious burning blue
I’ve topped the wind-swept heights with easy grace
Where never lark, or ever eagle flew —
And, while with silent, lifting mind I’ve trod
The high untrespassed sanctity of space,
Put out my hand, and touched the face of God.
Pilot Officer John Gillespie Magee, Jr
No 412 squadron, RCAF
Killed 11 December 1941
Photo from David C. Foster
This week’s page is moderately Not Safe For Work; there are no Frontal Personal Bits but there is a fair amount of everything else. HaHA, thought you could make it through a comic set in an all-male 18th century institution without a little homoeroticism? YOU THOUGHT WRONG, READERS.
Moving on!
Not much news this week beyond the ongoing march of pre-orders. The $40 packages are within sight of being finished; watercolor packages are going at about three a week; and book-only packages are going just as fast as I can draw inside the covers. You guys! You ordered a lot of books! It’s fantastic. I wish I had five of me so I could send them to you INSTANTLY.
Meanwhile, I’m mulling over notions of fun exclusives to bring to SPX, this September 11th and 12th in Bethesda; if you have any requests or neat ideas for things you might like to purchase from me, chime in and I’ll add it to the basket of possibilities!
Those of you familiar with my graphic novel Family Man will know that I have spent many, many hours drawing people wearing tricorn hats. It was a style of headgear that stuck around for quite some time, and it seems to be the first shaped hat designed expressly for the purpose of driving artists crazy. (Later fashion provided us with the fedora and the cowboy hat, in which crucibles many a cartoonist has died screaming.)
I know that you don’t want to be that person who gives up and just draws a vague lump on your character’s head. I can’t help you with the fedora or cowboy hat – but I’m here to lend you a hand with our friend the Tricorn.
There’s one very obvious solution for how to go about properly drawing a tricorn at any angle: buy an expensive reproduction hat online and pose or photograph it as necessary. However, that will net you many hours of digging through endless Halloween store shopping results for shapeless faux-leather “Jack Sparrow” pirate hats and weird little woolen cereal bowls with a weak brim claiming to be “Colonial hats”. When finally you get to plonk down $400 on an accurate drawing prop, you’ll probably want to do violence to your fellow human beings.
The next most obvious solution, if you’re broke or slightly insane, is to hunt down vast numbers of screen captures from appropriate period films. I will cop to having, on hand, roughly a gigabyte of stills from 1776: The Musical: The Movie. I will not claim that these have been unhelpful, but perhaps you aren’t interested in paging through 53 blurry images of Blythe Danner in a corset in hopes of locating that one angle of a guy in a hat.
It’s also wise to keep in mind that any period film is ALSO filtered through the period when it was filmed – hence, in 1776 we learn that Thomas Jefferson really liked 70’s style brushed-up temples.
So if you are looking for the simplest, cheapest, most rudimentary tricorner hat hack: get ready. This will provide you with the basic folded planes of the tricorn hat so that you can sketch out the essential shape; you’re on your own for deciding the style of the crown and providing the subtler details of material and curved blocking.
Those of you who have celebrated Purim by eating hamantaschen cookies will recognize this procedure.
YOU WILL NEED: a piece of foldable paper, a pair of scissors, a pencil.
STEP ONE.
Cut out a circle of paper. Cut it to whatever size you like; don’t worry about the shape being perfect. (a slightly oblong shape might actually get you more accurate results later on.)
STEP TWO.
Draw an equilateral (equal-sided) triangle inside the circle so that each point touches the edge. Again, don’t worry too much about deadly accuracy; these are just folding guidelines.
STEP THREE.
Pinch in the paper at each point. I find it’s easiest to first pinch up two points, then move on to the third.
STEP FOUR.
Now that the points are pinched up, it should be easy for you to fold the paper along the pencil lines. The triangle is still flat, but the extra half-circles of paper stick up.
STEP FIVE.
Behold! Whichever corner sticks forward the most is now the front brim of the hat; the other two form the back. The triangle is the underside of the hat, where your person would normally stick their head in. You can arrange this little paper thingie at many common angles and immediately figure out the basic arrangement of the hat’s trickiest parts. You can see that the angle I held the model at roughly replicates Luther’s hat down in the inset image.
If you want to replicate the crown of the hat, make this model big enough to accommodate half of a ping-pong ball (for a round crown) or a bottle cap (flat crown), and glue or tape it on.
In actual hats, the “corners” were often not tightly pinched together, especially in the front, so if you want to replicate that look, let the tips of the triangle run off the paper, skip the pinching, and just fold up along the lines.
Now that you have this model, I recommend you go back and look at those screencaps, or at any trustworthy reference source, to fill yourself in on style and material details/divergences. These hats were made of anything from light felt to heavy leather, decorated with ostrich feathers and gilt, tied down, worn askew, blocked so that they sat more on the back of the head than the front, etc, and came in every size from bitsy to engulfing.
Regardless, this little model will help you draw a tricky angle when your reference sources aren’t working out.
Enjoy the increased ease of drawing one of history’s most frustrating hats!
____
ADDENDUM: lovely reader Jenn S. made up a nice little cheater template for those of you who don’t want to draw your own circles and triangles! Click to view and download at full size, then print and use at will. Thanks, Jenn!
It dawned on me as I pencilled this week’s page that it is essentially one of those Calvin & Hobbes strips where they go down the hill in the Radio Flyer. I’d like to think that, at the end of this book, it is revealed that Lucien has been a stuffed tiger the whole time.
Anyway! Onwards. A couple more pages to this scene and then we’re through. Meanwhile I have still been sending out pre-orders (we’re down to under 200 left! ahahahahhhhh). I’m beginning to develop hope that I’ll actually have them all out this month. It’s fun to hear from people when their package arrives.
Usual disclaimers about having one extremely ill grandparent apply for next week’s update, but I remain ever optimistic. See you then!